الفهرس 
إهــــــداء
مشكلة البحثيوجد فقط 14 صفحة متاحة للعرض العام
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المستخلص
Search Summary
The title of the research:
Experimental Entries in the Field of Painting
Inspired by Ancient Egyptian Mythology Using Printing Techniques
Ph.D. letter from:
Abeer Ahmed Mukhtar Al-Nbhany
Assistant Teacher in the Department of PaintingFaculty of Art Education - University of Minya.
For a Ph.D. in Philosophy of Specific EducationSpecialty of Artistic Education (Painting)
The researcher shed light on the experimental entrances in the fine arts to produce photographic works inspired by the legends of the ancient Egyptian gods by combining the techniques of photography and printing art together on the surface of the painting, with the aim of identifying the stories and legends of the ancient Egyptian gods, and how the modern artist formulated them and inspired them in his style and uniqueness from other artists.
The researcher reviewed this through her six-chapter research divided as follows:
Chapter 1:
In it, the researcher highlighted the successive developments in the fine arts and the quest to free from the traditional concept in dealing with the fields of fine arts, and to move out of the crucible of the isolation of specialization to more comprehensive concepts of overlap and fusion between different fields of art to conform to the scientific development occurring in materials, techniques, methods and performing methods developed in various fields of art.
It also dealt with experimentation in fine arts, the development of materials and the multiplicity of techniques by mixing techniques of photography art with techniques of other fields of art, this besides highlighting the ancient Egyptian legends associated, and then the researcher then identified the problem of research, duties, objectives, importance and boundaries, and the research approach, then the steps of research with theoretical and practical frameworks and research terms, and finally related studies.
Chapter 2: The Myth of Ancient Egyptian Civilization
In this chapter, the researcher was exposed to the study and analysis of ancient Egyptian mythology, and divided this chapter into three sections as follows:
First: What is the legend:
The researcher highlighted what the legend is, its concept and its origin, the purpose of legend, the characteristics of legend, the standards of legend, the types of legend, theories of legend, the functions of legend, myth and its relationship to art.
In the first part of chapter 3, the researcher highlighted what the myth is, its concept, its origin, the purpose of the myth, its characteristics, its standards and types, and some theories related to legends, including: religious theory, metaphorical theory, historical theory, natural theory, and at the end of this part it was exposed to the myth’s relationship with art.
II/Myth and its impact on ancient Egyptian civilization:
The researcher highlighted the genesis of legendary thought, the myth in ancient Egyptian art, the geographical environment and its impact on ancient Egyptian mythology, myth and its relationship to the ancient Egyptian faith, ancient Egyptian mythology and its impact on the art of photography.
The researcher discussed the genesis of legendary thought, the relationship of legend to Egyptian art and ancient Egyptian doctrine, and highlighted the impact of geographical environmentalism on ancient Egyptian mythology, and at the end of this part the researcher presented the influence of ancient Egyptian mythology on the art of photography.
Third: Ancient Egyptian mythology (to be discussed):
In this part of chapter 3, the researcher discussed the study of the most important legends of the ancient Egyptian gods and the forms of mythical gods as imagined by the ancient Egyptians, and one of the most important legends to which the researcher Miley was exposed:
The myth of the creation of the universe, the legend of Isis and Osiris, the legend of the winged disk of the sun (Horus al-Bahdati), the legend of the goddess Hathour, the legend of Ra’in ”Saving Human beings”, the legend of the God of the Sun and the Phoenix.
The researcher presents the study and analysis of the most important myths of Resurrection and immortality and the most important gods (People) in the legends of the creation of the universe, resurrection and immortality, as i addressed the myth of Isis and Osiris, and the subsequent killing of the god Six to his brother Osiris, followed by the journey of The God Horus for revenge to kill his father, and then addressed the legend of the goddess Hathour, and the legend of Ain Ra (saving humanity) from the goddess Sakhmat - hathor - the daughter of the Great God Ra in its destructive image, and the end of the myth of the disk of the sun and the phoenix.
Chapter 3 / Anthology of the works of some artists:
In this chapter, the researcher analyzed some of the works of Egyptian, Arab and foreign artists who addressed the theme of myth in ancient Egyptian civilization, through the use of the method of integrating the techniques of photography and printing art into their works of art, and this chapter was divided into two parts as follows:
First/ Analysis of the works of some Egyptian and Arab artists who dealt with legends in their works of art.
In it, the researcher explains and analyzes the works of Egyptian and Arab artists who have dealt with the subject of legends in their works of art, and how they expressed them in different ways, techniques, materials and media.
Secondly/ analysis of the work of some Egyptian and foreign artists who discussed the combination of photography techniques and the art of printing on the surface of the painting.
In it, the researcher explains and analyzes the work of Egyptian and foreign artists who have dealt with the techniques of printing art, both traditional and modern, and combine them with the techniques of photography, which led to the production of works of art that influenced the field of photography through the diversity of materials and techniques used on the surface of the painting.
Chapter 4/ Experimentation and anthology of pictorial and typographical techniques:
First: Experimentation
In this chapter, the researcher highlighted some concepts related to the subject of research, which relate to the interventions of experimentation in fine arts, such as:
The concept of experimentation, the motives of experimentation, types of experimentation such as: experimentation in thought - experimentation in the way - experimentation in technology, then experimentation and enrichment of artistic expression, experimentation in science and art, the entrances to experimentation, the importance of experimentation, experimentation and its relationship to artistic vision, and artistic vision as one of the sources of experimentation.
In this part, the researcher shed light on the concept of experimentation and its motives, the types of experimentation and its interventions and its importance, and then addressed experimentation in science and art, the role of experimentation in enriching artistic expression, and also studied experimentation and its relationship to artistic vision as one of the sources of experimentation.
Second: Anthology of pictorial and typographical techniques:
The techniques associated with the search experience have been divided into two parts:
1- Plastic photography:
The researcher discussed the concept of raw material, raw as an expressive tool for the artist, technical and raw, his relationship with the artist with the rawness through the following:
A- The artist and his ability to imagine.
B- The skill ability of the artist.
C- Artistic honesty in the artist’s dealings with the material.
She also addressed traditional and non-traditional materials in the art of photography, the photographer’s toolsThe surfaces of photography, technology, philosophy behind technology include:
A- Artistic creativity .
B- Style .
C- The historical aspect of technology .
Finally, I addressed the imaging techniques of the colours of the eating.
In this part, the researcher tried to define the material and its relationship with technology, and the artist’s relationship with the raw materials, then mentioned traditional and non-traditional materials in the art of photography, photographer tools, and photography surfaces, then dealt with technology in general, then philosophy behind technology, creative performance, style, historical aspect of technology, and finally photography techniques used in the research experience (self-experience).
2- Typographical techniques:
In this part, the researcher discussed a preface on the art of printing in general, and then addressed the types of typographical techniques used in the research experiment:
Batik printing, molding, stencil printing, thermal transport, silk screen printing, and minotape.
In the first part of this chapter, the researcher addressed traditional and non-traditional techniques in the art of photography, and the artist’s relationship with both raw and technical, and then in the second part of the chapter addressed the manual and modern typographical techniques used in the research experiment.
Chapter 5/ Search Experience.
In this chapter, the researcher addressed the following:
Research experience, analysis of search experience work, then search results and recommendations, then references, and finally the summary of the research in Arabic and English.
In this chapter, the researcher presented the subjective experience of the research, presented the objectives of the experiment, its limits and stages of implementation, and then presented the works of art the product of the experiment by explanation and analysis, then identified the most important results of the research, and developed some points that recommend its study.
Finally, the research references, and the summary of the research in Arabic and English.