الفهرس | يوجد فقط 14 صفحة متاحة للعرض العام |
المستخلص The art of illustrated lithographic is a form of painting that has been practiced in Iran since the thirties of the 13th century AH / 19 AD. The art of illustrated lithographic represented a mediator between the traditional miniatures in traditional manuscripts and the more common forms of creative expression such as painting on ceramic tiles, painting on glass or paintings of cafes (naqqih qahwah khaneh). This study deals with the art of illustrated lithographic in Iran during the Qajar era in the light of one of the most important Persian books ever, the book Shahnameh Ferdowsi. Five illustrated editions were produced in Iran during the Qajar era during the rule of the Qajar dynasty in Iran. This study dealt with four publications Among them, they are arranged as follows: It is the Shahnameh of Tehran, which was printed in the period between 1265 - 1267 AH / 1848 - 1850 AD, which represents the first Iranian lithographic version of the Shahnameh, and the Shahnameh of Tabriz, which was printed in the year 1275 AH / 1859 AD, which represents the second illustrated lithographic edition of Iran , and the first illustrated lithographic edition printed in the city of Tabriz, home and printing facility in Iran, the Shahnameh of Tehran, which was printed in the year 1307 AH / 1889 AD, and the Shahnameh of Tehran (1319 - 1926 AH / 1901 - 1908 AD), which was produced under the patronage of one of the most important men of the Qajar court, Husayn Pasha Khan Amir Bahadur Minister of War, so it was known as Shahnameh Bahadri after him. This study was divided into two volumes, the first volume was devoted to the text, which included an introduction explaining the importance of the subject, the reasons for its selection, the problematic of the research and its difficulties, and previous studies, followed by a prelude to the historical era to which the illustrated versions of the print refer to the subject of the study, and this was followed by the first chapter on the descriptive study of the copies of the Shahnameh’s publications. illustrated by lithography, then the second chapter that I devoted to the analytical study of the images of these publications, their characteristics and technical characteristics and the most important photographers, then a conclusion that includes the most important findings of the study, followed by a list of sources and references on which the study relied, while the second volume of this study included a catalog Paintings and shapes. |