الفهرس 
الغلافيوجد فقط 14 صفحة متاحة للعرض العام
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المستخلص
Summary
When we watch a film and describe it as wonderful and imaginary, the first to ask about it who directed the film? Who is the hero? Who wrote the script? What is the production company?
This is an indication of the great role played by the director and with him from the entire technical cadre, the process of producing a work of art is like a game of puzzle, the absence of any piece in it will not give us the full picture of them and therefore must be available all the necessary elements and integration together. The director manage the process of organizing and coordinating all elements of the work and the distribution of tasks and the pursuit of their implementation, while the creative role is the ability to innovate to new styles and follow - up all the new innovative tools for work..
Hence, the best example of a creative director is the Italian director ”Federico Fellini”, the director who belongs to the new Italian realism and started from it until he has his own style, anyone has anything to do with cinema from near or far, must carries a beautiful memory about him, perhaps a scene from his films or attitude or words he said , he was and still a true pioneer in the art of the cinema, he recorded clear signs in the history of contemporary Italian cinema, any film or any project film intended directed by him intended to an artistic and cultural event received by the world interest ..
In order to realize behind the scenes of ”Fellini”’s films and his philosophy and distinctive style, it was necessary to identify the most important influences in his life, which made him a distinct artist with the character of his own, The master thesis formed as follows:
Chapter 1:
A historical overview of the world cinema before and after the Second World War to the new Italian realism and its development with its director group.
The first chapter takes a quick look at the development of cinema, from ”Edison” ’s attempts in America and the ”Lumière brothers” in France and ”Paul” in England to display a black and white image of people and objects moving in a real world significantly, passing through the emergence of speaking films and reaching the Italian cinema with its pioneers and political influence over it during the period of ”Mussolini”. He presented models of films of this period and then the outbreak of the Second World War and the comprehensive expression of Italian cinema with the emergence of the new realism movement to show reality and what the war did on the Italian streets and show models of films of this period and the most important pioneers such as ”Vittoria di Sica” - ”Roberto Rossellini” – ”Visconti”.
Chapter 2:
”Federico Fellini”, his origins and beginnings and technical development to the stage of creativity and discrimination until his death.
The first part of the second chapter tells about the young ”Fellini”, who was deeply affected by the circus, the clowns, the Volgore cinema and its Hollywood movies, the American comic stories from which he developed his vision of the world, and the story of his move to Rome, when he met the director ”Roberto Rossellini”, who will be the reason for ”Fellini”’s entering the world of cinema, through the film ”Rome open city” and then the film ”Paysa” and the miracle in which Fellini will appear like actress for the first time .
Chapter 3: About Fellini’s artistic career through his films: Moving from screenwriting to directing, from his first film the variety lights to his last film ”The voice of the Moon”.
Intellectual features in ”Fellini”’s cinema: ”Fellini”’s films were characterized by a variety of intellectual themes, which came from many things, including youth, aging, religion and politics, psychoanalysis and symbolism, and his films came a mixture of experiences and imagination and watched and dreamed of, and through those films try to Filellini that he paints a detailed picture of his autobiography by emptying all his memories in his films.
The formal features in the cinema ”Fellini”: The choice of ”Fellini” for his films comes after spending a long time in thinking and drawing, he was drawing different things and strange faces and diverse human bodies, so he was putting his first lines of making the film, the imagination is the main catalyst for ”Fellini” cinema, through his way He sees the world and makes viewers realize his world